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Have you ever wondered what you’d say if you won an Academy Award? Admit it. All Film Buffs dream of crossing that stage and being handed that beloved golden statuette in front of a live audience. We’ve all planned what that acceptance speech would be. And if you haven’t, it doesn’t take much to decipher the anatomy of an Oscar speech.

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We’re really advanced here, but you can bet your prized movie stub collection that A-list actresses are already thinking about their wardrobe selection for the big “O” night. And well, some of us here are already thinking about what the fashion police will be looking at post-ceremony. In anticipation of that, we’re going to break down why we care. And if you don’t care, Reel Sex talked about hottie indie girls this week. Just sayin’…

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Here at FilmBuff, we’ve come up with a relatively simple equation: Actor/Actress + Director/Writer = Oscar noms. The more great actors and actresses in the film the higher the actor/actress quotient gets. While the equation is not completely fool-proof, it’s a clear cut way to see what is worthy of Oscar buzz and what is not. Want proof? Let’s look at the past couple years…

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14
Oct 2011

Don’t you just love it when a woman takes control? We’re not making you feel uncomfortable are we? If so, good, as we’re sure these leading ladies of the screen use that to their advantage when starring in these—at the edge of your seat—thrillers.

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earthling
12
Sep 2011

What’s an “Alien Portman” you ask? Why it’s an alien movie sandwiched between two movies that feature Natalie Portman! We know, we should have tried harder on the joke, but one things for sure, you won’t have to try too hard to scrounge up three entertaining films for your viewing pleasure this week. Aliens and an Academy Award winner—pretty good company to have in your living room if you ask us.

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Every couple months or so, a big article comes out asking the age-old and patently absurd question: “Are Women Funny?” Remember all the shenanigans surrounding Bridesmaids a few months back? People were seriously astounded and confused that the summer’s most hilarious gross-out comedy was not only about women but written by women.

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The Anatomy of an Oscar Speech

Have you ever wondered what you’d say if you won an Academy Award? Admit it. All Film Buffs dream of crossing that stage and being handed that beloved golden statuette in front of a live audience. We’ve all planned what that acceptance speech would be. And if you haven’t, it doesn’t take much to decipher the anatomy of an Oscar speech.

An acceptance speech can be as heavily judged as an actor’s performance on the silver screen. After all, winning an award is another kind of performance. Some people know when to end a speech. Some people keep talking until the next day. Sharon Waxman of the The Washington Post once noted that the longest speech of all time goes to Greer Garson, who talked for a whopping seven minutes—even after the ceremony had lasted until 1:00am. Trust us.  You don’t want to be that type of winner.

There are all kinds of speeches we’ve heard over the years, but we believe there’s a certain formula for the most entertaining ones. Once they say the words, “And the winner is…,” this is basically how the speech will break down:

Oh my God, I won! I actually won!

If you’re someone that never believed you would ever get an Oscar, this is probably the best night of your life. Therefore, you’ll go crazy. Granted, not all winners decide to go bonkers, but it’s so much more entertaining when they do. Study Roberto Benigni’s reaction below if you want to start practicing bouncing off the walls.

(Cry incoherently)

Every year, there is one speech where the winner dissolves into an emotional mess, to the point where they’re barely able to talk—or even begin their speech. However, for an example of how to cry and look beautiful, check out Gwyneth Paltrow’s reaction when she won for Shakespeare in Love.


I just wrote this all down on a napkin because I didn’t think I’d be up here…

This act of modesty is so common we sometimes wonder if it’s just an act. Some winner will claim that they never thought they had a chance of winning, but then decided to scribble down a last minute speech anyway. Hilary Swank did this when she won for Boys Don’t Cry…even though she was considered the favorite that year. While Hilary’s speech was fine, we’d suggest writing it down on a larger piece of paper that’s easier to read.

To my fellow nominees, you inspire me…

It’s nice to thank your fellow nominees. Although it might just sound like a consolation prize, being aware of your peers makes you look humble, appreciative, and less like a bitch. We use Hilary Swank again as an example. When she won for Million Dollar Baby, she thoughtfully mentioned the other Best Actress candidates. Even if they might have been be silently cursing her name, we think that she was sincere in reaching out to them.  Especially Annette Bening, who she beat for a second time.

 

I’d like to thank the Academy, director, cast, whoever made me, and the rest of the world for knowing me…

Be smart. Come prepared with a set list of people you’d like to thank. Some winners are just so grateful to win, that they declare their love for God, their mother, their father, their cousin Larry and every single person in the entire world. Hell, in 2002, Halle Berry even took a moment to thank her lawyers.  While those long thank you lists can be annoying, these are the people that helped you win, so it’s good to remember them. If you want to practice how to profess your love for everyone, check out Cuba Gooding Jr.’s reaction below.

And….I’d like to thank this person, their name is…

Almost every year, there is one person that infamously forgets to thank someone important. Like their co-stars,their director, their agents or even worse—their significant other. To give Christian Bale his due, he definitely did thank his wife…even though he momentarily forgot her name.

This is most challenging role I’ve ever had…

At some point in the speech, reference your sheer luck in landing this difficult role. Commiserate about how this role is the toughest one you’ve ever had and how you are glad that all your hard work paid off. Basically, you’re stating, “Damn it, I do deserve this role!” For example, check out a more modest Natalie Portman when she won for Black Swan. She spent a year training for the role.

I just want to say how much this award means to_____.

End on some “this is bigger than me” type of sentiment. Maybe acknowledge where you came from. Mention your country that is staying up late to watch your win halfway across the world. Or remind everyone that you’ve adopted a million children that look up to you. Any of these work. Check out how Charlize Theron gave a shout out to South Africa when she won for Monster.


In any case, no speech is ever perfect. Some are more entertaining than the rest.  Some try to be more meaningful than they should be. But if you do happen to win that Oscar one day, keep the above formula in mind. It could help you out when you’re ready to accept that golden trophy.

How would you draft your Oscar speech? Let us know in the comments below.

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Oscar Fashion Already on Our Minds

We’re really advanced here, but you can bet your prized movie stub collection that A-list actresses are already thinking about their wardrobe selection for the big “O” night. And well, some of us here are already thinking about what the fashion police will be looking at post-ceremony. In anticipation of that, we’re going to break down why we care. And if you don’t care, Reel Sex talked about hottie indie girls this week. Just sayin’…

Okay so the arrival interviews are boring and with a four hour ceremony ahead, it’s not like there’s a lot of motivation to build the anticipation (or the time in front of your TV). But for some of us, why we watch the Oscar pre-show is the same reason it’s the only time you would ever be more excited to see David Arquette walk the carpet than George Clooney. It’s all about the fashion, of course.

We get caught up in playing fashion police. Who wore it best? Who looked ridiculous? Is Bjork coming (oh, please wear the swan dress again!)? And then, after the show, comes the obsession with “getting the look.” If you’ve ever read a spring issue of a women’s magazine, you know what we’re talking about—those spreads that show a designer dress and then something the allegedly looks like it (they’re generally only similar in color and length) for less so you can snag the stars’ look at home. Kind of like this:

If you’re thinking, “but I don’t have a prom or formal wedding to attend any time soon” (or, “but I’m a man”), then sadly, the Oscar red carpet may not directly impact your wardrobe. We could give you a speech a la Meryl Streep to Anne Hathaway in The Devil Wears Prada, but we’re not scary or fashion-minded enough to pull it off, so we’ll just show you the clip about how high fashion trickles down to your life.

 

So why does the Oscar fashion matter then to anyone but teenage girls, bridezillas and Joan Rivers? Well, it can give us mere peons a glimpse at what’s “hot” (like that shade of purple Natalie Portman is wearing in the picture above, for instance). Mostly, though, we all know the Oscars (fashion included) are really about the people attending. The Oscars’ biggest fashion influence seems to be on the guests and nominees. Sound weird? The idea of an awards show influencing fashion? Does it sound weird if we clarify that we literally mean the Oscar ceremony, not the stylists or commentators who flock to it?

There are two big ways to go if you’re a celeb, but not quite up for making a bold color statement like Natalie and Jennifer up there. The first is camouflage.

Red is always such a popular color at awards shows. Usually the color to wear when you want to stand out, however, in these situations you have to wonder if the women in red are hiding. Like, “Please don’t notice me when I don’t win.” It’s a strange choice, since you end up looking like a set of floating shoulder blades from some angles. But, to each her own.

If red dresses almost making someone look as though they’re hoping to be lost in the carpet, the second Oscar-inspired option screams confidence. Almost overconfidence.

Gold (or any metallic shade) is another ever-popular option at the Oscars. While red is a great color for the up and coming starlet, gold is a shade for the seasoned actress, out to prove she’s “classy”…and thinking ahead to make sure she matches her statue in all of the post-show pictures, of course.

But then, maybe we’re just not taking fashion seriously enough. Maybe we should take a lesson from Anna-erm, Meryl, and appreciate the fashion decisions that are being made for us by important people, like Katherine Heigl.

 

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A+A+D=Our Surefire Oscar Bait Formula

If you’re a gambler and a movie fanatic, then Oscar season is your jam. It’s the time of year when the film world is not all about the usual standbys of art and commerce, but about something way more elemental than that: ODDS. There are tons of blogs and columns out there devoted to navigating the chances of Oscar hopefuls. The gambling Oscar fan has a couple tricks up his or her sleeves: In the early stages of Oscar season, it’s all about speculation … maybe the gambler’s caught a couple all-star indies at Sundance or Cannes, or they watched the teaser for The Girl With the Dragon Tattoo like 100 times, or they hear that Meryl Streep is merely in a movie. But as the weather gets colder, and the cinemas are filled with more movies that have been actually praised by critics, sophisticated Academy bookies must employ equations to figure out what movies will rack up the most nominations. Here at FilmBuff, we’ve come up with a relatively simple equation: Actor/Actress + Director/Writer = Oscar noms. The more great actors and actresses in the film the higher the actor/actress quotient gets.While the equation is not completely fool-proof, it’s a clear cut way to see what is worthy of Oscar buzz and what is not. Want proof? Let’s look at the past couple years…

2010

The Social Network looked like it had the equation going for it. David Fincher’s meticulous direction and the witty fast-paced screenplay by Aaron Sorkin took care of the director/writer portion of the equation. And Jesse Eisenberg’s nerdily cold performance as Mark Zuckerberg is definitely what we’re talking about when we talk about great acting. The film racked up 8 nominations and won three awards. True Grit also had the formula working well: Jeff Bridges + Matt Damon + The Coen Brothers (squared for writing and directing) = 10 nominations.

Looking at the other films nominated for multiple awards and we come up with equations like Natalie Portman + Darren Aronofsky = 5 (Black Swan), Christian Bale + Melissa Leo + David O. Russell = 7 (The Fighter)

And then there was the big winner of the night: The King’s Speech. That film had the triple threat of Colin Firth + Helena Bonham Carter + Geoffrey Rush, but the writer and director were less well known. But, combine writer David Seidler‘s personal history with the material and director Tom Hooper’s experience in television to create a powerful director/writer quotient, and BAM! The King’s Speech was nominated for 12 awards and won 4.

2009

Back in ’09, Best Picture winner The Hurt Locker was the best example of the FB-Oscar equation (look for the formula in your stats textbooks, kiddos). Strong performances by Jeremy Renner and Anthony Mackie + director Kathryn Bigelow brought in 9 nominations and 6 awards. One could argue that it was the stirring and thoroughly human (that is, not, Na’avi) performances that edged The Hurt Locker past the only other film nominated for nine awards that year: Avatar. While Zoe Saldana got some hype, Avatar was really about the special effects, not the acting. For Bigelow and the rest of The Hurt Locker team, the FB-Oscar equation worked in their favor.

Other notable 2009 formulas: Brad Pitt + Christoph Waltz + Quentin Tarantino = 8 nominations (Inglourious Basterds). George Clooney + Vera Farmiga + Jason Reitman = 6 nominations (Up In the Air).

‘Buffs, have you gotten a feel for the equation? Not yet? What about if we go back a couple more years and look at the films with the most nominations? 2008: Brad Pitt + Cate Blanchett + David Fincher = 13 nominations (The Curious Case of Benjamin Button). 2007: Tie between Javier Bardem + Tommy Lee Jones + The Coen Brothers (No Country for Old Men) and Daniel Day Lewis + P.T. Anderson (There Will Be Blood) with 8 nominations each. These formulas could go on and on for days. Stop us before we go crazy.

Now that you’ve gotten a feel for the equation, test out a few for the movies coming out this Oscar season.

Will it be a Leonardo DiCaprio + Clint Eastwood kind of year (J. Edgar)? Or what about George Clooney + Alexander Payne (The Descendants)? Will Charlize Theron + Diablo Cody + Jason Reitman come up big for the indie comedies (Young Adult)?

Let us know your predictions in the comments.

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First Ladies: Women that can Thrill and Kill

Don’t you just love it when a woman takes control? We’re not making you feel uncomfortable are we?  If so, good, as we’re sure these leading ladies of the screen use that to their advantage when starring in these—at the edge of your seat—thrillers. From a group of sisters who each have a dark disorder to a female lead who gives the deadly performance of a lifetime, we have collected films that show the power of the “better half” in all its glory.

1. Amber Lake (2011)

 

Borderline personality disorder, Histrionic personality disorder and Antisocial personality disorder. Can you try to guess which disorder goes with which Amber? Meet these three half-sisters who go to visit their father who they have never seen before. They find him dead soon thereafter, and the police are left with trying to decide which of their three different stories to actually believe.

2. The Hand that Rocks the Cradle (1992)

 

Rebecca De Mornay takes on the role of Mrs. Mott, who purposely takes on the job of a nanny to the family that she considers responsible for the loss of her husband, the death of her unborn baby and her financial ruin. A slow, terrorizing process begins to unfold as she begins to turn the family’s trust into a device to extract her revenge. Just when you thought it was safe to hire a nanny…

3. Monster (2003)

Based on a the true story of Aileen Wuornos, this is the tale of a woman who turns to a life of prostitution and ends up becoming a serial killer. Raped and beaten by her first client, she decides to take things into her own hands and defend herself, seemingly becoming a vigilante, but then a vicious downward spiral ensues resulting in multiple murders. The beautiful Charlize Theron turns in a brutally masterful performance of this tormented soul.

4. Basic Instinct (1992)

We follow a police detective as he tries to solve the case of a murdered rock star. When he becomes intimately involved with the beautiful and seductive prime suspect, things start to get interesting. The classic movie that generated its fair share of controversy over its violence and sexual content in the early 1990s, this one is always deserving of another screening.  After this, you’ll never be able to look at an ice pick the same way again.

5. Black Swan (2010)

Last but certainly not least—since the female lead won the Oscar for best actress—we have a story of a ballet dancer who is pushed to her limits and will do anything, and we mean anything, necessary to become both the delicate White Swan and also the dark and sensual Black Swan. Another breakthrough performance by a female lead, this isn’t your normal night out at the ballet.

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Coming to a Living Room Near You: 9/12/11

What’s an “Alien Portman” you ask? Why it’s an alien movie sandwiched between two movies that feature Natalie Portman! We know, we should have tried harder on the joke, but one things for sure, you won’t have to try too hard to scrounge up three entertaining films for your viewing pleasure this week. Aliens and an Academy Award winner—pretty good company to have in your living room if you ask us.

Thor

The story of Thor, the Norse god of thunder that gets banished from the heavens and becomes earth’s mighty defender! Break out the popcorn and get ready for some Hammer Time!  Okay, bad joke, but you know this is just a popcorn flick that requires few neurons but packs a pretty decent punch.

Earthling

Clay Liford directs an eerie and thought provoking sci-fi film about the choices that we must make—but in this case after you wake up to realize you’re an alien disguised in a human body. Is home really where the heart is? Watch this and find out.

Hesher

Here, take two of these and call me in the morning. Instead of medicine what if the doctor prescribed you pornography, setting crap on fire and rock and roll? Sometimes that’s just what a family needs to get over the grief of its lost mother, a good old can of whup-ass, and that can comes in the human form named Hesher.

So tell us, how was this week’s crop of films?

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Emily Halpern and Sarah Haskins

Sarah Haskins & Emily Halpern: Proving Women ARE Funny

Every couple months or so, a big article comes out asking the age-old and patently absurd question: “Are Women Funny?” Remember all the shenanigans surrounding Bridesmaids a few months back? People were seriously astounded and confused that the summer’s most hilarious gross-out comedy was not only about women but written by women. Since we at FilmBuff are huge fans of people like Tina Fey, Amy Poehler, the Kristens; Wiig, and Schaal, we would like to forward the motion to put this whole debate to rest. Women are hilarious. Done and done. Now, let’s get to celebrating the women that tickle our funny bone and makes us ROFLMAO. More specifically we’re talking about two women that the comedy world will definitely be hearing from more and more, our latest Future FilmBuff Hero(es) Sarah Haskins and Emily Halpern.

The funny duo of Haskins and Halpern (already sound legendary, don’t they?) are a rare breed in Hollywood: a female comedy writing team. Sometimes we feel like female writers get the short end of the poo stick in the entertainment industry. If they don’t also star in their movie or TV show, no one knows them, they must simply type away at overused computer screens in dirty sweatpants, dreaming of red-carpet acclaim. Okay, we know we’re being slightly melodramatic, but seriously, writers are so integral to an awesome movie, but we hardly ever give them the credit they deserve. So few movies that get produced are actually written by women (old boys club anyone?), so we’re excited to see a pair of funny friends working together who just so happen to both have a pair of XX chromosomes.

Haskins and Halpern wrote a spec script called Booksmart that has been generating buzz in the film biz. It appeared on the Black List – the compilation of the industry’s favorite screenplays that haven’t been produced yet. From there, Fox optioned the film and Natalie Portman’s production company Handsomecharlie Films was brought on to produce. Booksmart is about two high school seniors who are looking to find boyfriends before the prom. We know you may be thinking “Haven’t I seen this before?,” “Been there, done that, bought the t-shirt,” etc. But there are a couple things about this script that set it apart:

1.  The movie’s about two overachievers who have basically everything going for them except a relationship. This could be good: rarely ever do high school movies have smart female characters who aren’t the nerd or the control freak.

2.  The high school movie trope is usually a bro-mance. We’d be excited to see a prom movie with two close girl friends instead of the dude love we’ve gotten used to.

3.  We trust Sarah Haskins. She kind of rocks our world. We first noticed her in the Target: Women series, a segment on Current TV’s clip show InfoMania. Target: Women is a tongue in cheek send-up of pop culture focused on those of us with lady parts. Haskins is drily hilarious as she explores everything from cleaning products to tampons. Check out one of our favorite clips below.

From her days on the Target: Women series, Haskins already has a large internet fan base. She’s a self-proclaimed feminist, and her wryly funny style is a commentary on gender issues that has won her notice of feminist media behemoths like Jezebel, Bitch magazine, and Broadsheet on Salon. On top of all this goodness, Booksmart attracted the attention of Amy Poehler who asked Haskins and Halpern to develop a project for her called Lunch Lady, about a cafeteria lady with super-powers. We’re keeping our fingers crossed that Booksmart and Lunch Lady make it to fruition, and we’re definitely going to be keeping an eye on what Haskins and Halpern are up to next.  Why wouldn’t we?

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